Hector Dionicio Mendoza’s work materializes oral histories, ancient wisdom, familial parables, and personal and communal experiences to engage the many myths and realities of migration. Combining an array of sculptural forms and materials—including assemblage, cast, and hand-sculpted techniques, along with found, salvaged and industrial materials, his works are informed and guided by his own personal experiences and the realities and politics of the U.S./Mexico border. Fluctuating between abstraction and figuration, it ignites our consciousness with narratives that embrace magical realism and Latinx/e futurism while exploring themes of migration and the environment, spirituality, as well as the geographies of place, memory, identity, and the visualization of immigrant stories that expand upon a new latinidad.