Rhea Dillon (b. 1996) is an artist, writer and poet based in London. Dillon’s first institutional solo exhibition An Alterable Terrain was recently held at Tate Britain as part of the Art Now series. To accompany this major exhibition a book of the same title was recently published by Tate Publishing. The artist will shortly be featured in a solo project curated by The Kitchen, New York in tandem with the group exhibition Janus at Palazzo Diedo, as part of the launch of the new Berggruen Arts & Culture exhibition space in Venice, Italy. Recent exhibitions include Each now, is the time, the space at Lismore Castle Arts, Lismore (2024); The Black Fold at Kevin Space, Vienna (2023); We looked for eyes creased with concern, but saw only veils at Sweetwater, Berlin (2023); The Sombre Majesty (or, on being the pronounced dead) at Soft Opening, London (2022); Real Corporeal at Gladstone Gallery, New York (2022); Love at Bold Tendencies, London (2022); an online screening at The Kitchen, New York (2022); Drawing a Blank curated by Ben Broome, London (2022); Janus at Soft Opening, London (2021); Pressing at Division of Labour, Salford (2021); Dishwater and No Images as part of Distant Peak at Peak Gallery, London (2020); No Man is an Island at Almine Rech, London (2020) and Uchronia et Uchromia online at External Pages (2020). Dillon was an artist in residence at Triangle - Astérides, Marseille and previously at V.O. Curations, London, which culminated in a solo exhibition, Nonbody Nonthing No Thing and the publishing of poetry chapbook, Donald Dahmer (both 2021). The artist presented Catgut – The Opera as part of Park Nights 2021 at the Serpentine Pavilion, a publication of the same title was recently published.