Ordinary Madness presents to us with heightened attention otherwise unremarkable intervals of daily life -- moments that are neither climactic nor staged, but charged with density of color and feeling. Working from photographs she takes in passing, Sherman paints the small, unguarded gestures of friends and strangers: hands worrying a glass, a swallowed expression, the sun-soaked weight of a late afternoon. These are images taken with no intention beyond noticing, and yet in their translation to paint, they gain a gravity that is both personal and collectively felt.