A kinetic sculptural work by Yassi Mazandi, Language of the Birds takes its name and theme from an epic 12th-century Persian poem by Farid al-Din ‘Attar, a parable about a mystical quest for God, a spiritual home, or even our own highest good. The mission is undertaken by 100 birds seeking a worldly ruler—the mythical Simurgh. Many birds perish along the way until 30 remain, only to realize they themselves are the Simurgh (literally “30 birds” in Persian). The stark, abstract bronze sculptures are suspended from the north side of the Resnick Pavilion. Stripped of feathers, Mazandi’s dramatic birds evoke ‘Attar’s powerful mystical poem universalizing the quest for meaning. They also call to mind today’s key issue—climate change—and the ways in which it imperils many avian species and contributes to human migration, often accompanied by dangerous journeys and inhospitable reception.