Through a combination of hand-sewn textiles and paints, Maria A. Guzmán Capron joins together an array of patterns and striking colors to fashion bodily forms. Merging figuration with abstraction, these works explore cultural hybridity, pride, and the competing desires to assimilate and to be seen. Born in Milan, Italy to Colombian and Peruvian parents and later relocating to Texas as a teenager, the artist recognizes the challenges of toggling between various cultures and geographies. Her multilayered textile works emphasize that we consist of several identities, some that we repress and some that we exalt.

 Capron’s practice explores how clothing is used as a marker of class, gender, and cultural identity. Composed with a variety of recycled, off-cut, and store-bought fabrics, her works merge privileged textiles with those that have been rejected and discarded as excess. By contrasting common fibers like cotton with more luxurious fabrics like silk, the artist addresses material hierarchies in art and fashion to parallel the power dynamics that exist within class and gender.

In addition to serving as a metaphor for society’s inequities, her use of mainstream and mass market materials functions as a subversive gesture to challenge the homogenizing capitalist landscape. Enlisting an intentional range of materials, including fabrics readily accessible to all, the artist stages a space for difference to thrive. Drawing from immigrants’ experiences, she is invested in the friction of mistranslations—of failing to “dress the part,” or having one’s pride in self-expression overcast by exoticization or coercive assimilation.

 Exaggerated body parts—signature moves in Capron’s work—render muscular arms that embrace, puffy fingers that clasp together, and slinky legs that intertwine to become one. Through eclectic fabric and subtly painted brushstrokes, these interlaced figures confront the viewer and become an invitation for vulnerability, openness, and individual expression.